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Pierre-Luc-Charles Cicéri : ウィキペディア英語版
Pierre-Luc-Charles Ciceri

Pierre-Luc-Charles Cicéri (Saint-Cloud, Hauts-de-Seine, 17 August 1782 – Saint-Chéron, Essonne, 22 August 1868) was a leading French set designer of his era.〔(Pierre-Luc-Charles Ciceri ), ''Encyclopædia Britannica''.〕〔(Pierre Luc Charles Cicéri ), ''artnet''.〕 He was chief set designer for the Paris Opera from 1810 to 1847, and created the set designs for over 300 ballets and operas in his long career.〔 In addition to his work at the Paris Opera, he designed for many of the leading theaters in Paris, including the Odeon, Palais-Royal, Comedie-Francaise, Theatre des Nouveautes and the Theatre de la Porte St. Martin. As Painter to the King of France, he supervised the decorations for the coronation of Charles X in 1825.〔
Cicéri designed the set for the first performance of ''La belle au bois dormant'' ("Sleeping Beauty"), which opened on 2 March 1825 at the Théâtre de l'Académie Royale de Musique in Paris.
For ''La belle au bois dormant'' Ciceri created a quasi-cinematic motion effect onstage utilizing a treadmill for the actors in front of a moving cyclorama. He also designed the sets for a ballet version of ''Jocko ou le Singe du Brésil'' ("Jocko or the Monkey of Brazil") by Frédéric-Auguste Blache, with music by Alexandre Piccinni. The ballet was first performed at the Théâtre de la Porte Saint-Martin in Paris on 16 March 1825.
He was awarded a Chevalier of the Légion d'honneur.
== References ==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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